Knight Fest 2018: The Hero's Journey: Myths, Fables, Fairytales and Folklore

Since its release in 1949, The Hero with a Thousand Faces has influenced millions of readers by combining the insights of modern psychology with Joseph Campbell's revolutionary understanding of comparative mythology. In these pages, Campbell outlines the Hero's Journey, a universal motif of adventure and transformation that runs through virtually all of the world's mythic traditions. He also explores the Cosmogonic Cycle, the mythic pattern of world creation and destruction. As part of the Joseph Campbell Foundation's Collected Works of Joseph Campbell, this third edition features expanded illustrations, a comprehensive bibliography, and more accessible sidebars. As relevant today as when it was first published, The Hero with a Thousand Faces continues to find new audiences in fields ranging from religion and anthropology to literature and film studies. The book has also profoundly influenced creative artists--including authors, songwriters, game designers, and filmmakers--and continues to inspire all those interested in the inherent human need to tell stories.

One of Jung's most influential ideas has been his view, presented here, that primordial images, or archetypes, dwell deep within the unconscious of every human being. The essays in this volume gather together Jung's most important statements on the archetypes, beginning with the introduction of the concept in "Archetypes and the Collective Unconscious." In separate essays, he elaborates and explores the archetypes of the Mother and the Trickster, considers the psychological meaning of the myths of Rebirth, and contrasts the idea of Spirits seen in dreams to those recounted in fairy tales. This paperback edition of Jung's classic work includes a new foreword by Sonu Shamdasani, Philemon Professor of Jung History at University College London.

This is the first volume of von Franz's Zurich lectures to be published since 1980. There are in-depth studies of six fairy tales from Europe, China and Africa. Featuring the symbolic, non-linear approach von Franz is famous for, the book offers insights into cross-cultural motifs, as well as acting as a resource for understanding dream images.

This is the first major synthesis of Greek religion to appear for a generation. A clearly structured and readable survey for classical scholars and students, it will also be generally welcomed as the best modern account of any polytheistic religious system. The text builds up an impressive and coherent picture of the current state of knowledge about the religion of the ancient Greeks.

This book is a vivid reconstruction of the practical aspects of ancient Egyptian religion. Through an examination of artefacts and inscriptions, the text explores a variety of issues. For example, who was allowed to enter the temples, and what rituals were performed therein? Who served as priests? How were they organized and trained, and what did they do? What was the Egyptians' attitude toward death, and what happened at funerals? How did the living and dead communicate? In what ways could people communicate with the gods? What impact did religion have on the economy and longevity of the society? This book demystifies Egyptian religion, exploring what it meant to the people and society. The text is richly illustrated with images of rituals and religious objects.

During the Middle Ages, travellers in Africa and Asia reported that monstrous races thrived beyond the boundaries of the known world. This work offers an introspective look at these races and their interaction with Western art, literature and philosophy.

The field of monster studies has been growing dramatically over the past few years and this companion provides a comprehensive guide to the study of monsters and the monstrous from historical, regional and thematic perspectives.

Myth and Knowing is by far the most comprehensive world mythology textbook. The text/reader format provides both jargon-free discussions of current themes and thinkers in the ongoing scholarly conversation about myth and a broad selection of complete myths chosen for literary merit and the cultural sensitivity of their translations. Rather than being genre-driven, the book emphasizes the psychological, religious, and cultural meanings of myth, presenting these with the intent of fostering in students a love of literature.

Classical Mythology: Images and Insights approaches the study of myths through complete works of Greco-Roman literature, including six complete Greek dramas and generous excerpts from the narratives of Homer, Hesiod, Virgil, and Ovid, and through carefully chosen examples of classical works of art, both painting and sculpture. Combining literary masterpieces with the visual arts, this integrative approach offers readers a comprehensive experience with both cognitive and aesthetic appeal.

In the first edition of "Women in Greek Myth," Mary R. Lefkowitz convincingly challenged narrow, ideological interpretations of the roles of female characters in Greek mythology. Where some scholars saw the Amazons as the last remnant of a forgotten matriarchy, Clytemnestra as a frustrated individualist, and Antigone as an oppressed revolutionary, Lefkowitz argued that such views were justified neither by the myths themselves nor by the relevant documentary evidence. Concentrating on those aspects of women's experience most often misunderstood--life apart from men, marriage, influence in politics, self-sacrifice and martyrdom, and misogyny--she presented a far less negative account of the role of Greek women, both ordinary and extraordinary, as manifested in the central works of Greek literature. This updated and expanded edition includes six new chapters on such topics as heroic women in Greek epic, seduction and rape in Greek myth, and the parts played by women in ancient rites and festivals. Revisiting the original chapters as well to incorporate two decades of more recent scholarship, Lefkowitz again shows that what Greek men both feared and valued in women was not their sexuality but their intelligence.

Explores the role played by women in ancient societies through the analysis of specific myths from nine different lands.

Jacob and Wilhelm Grimm, known as the Brothers Grimm, present a collection of the folklore and fairy tales of Germany. The brothers gathered the tales that bewitched young readers, no matter how scary they were. From the abandonment of children to the magic of a fairy stepmother, the brothers kept the folklore tradition alive. Ten of the most well-known tales preserved by the Brothers Grimm are gathered for young readers in the Calico Illustrated Classics adaptation of Grimm's Fairy Tales. Calico Chapter Books is an imprint of Magic Wagon, a division of ABDO Group. Grades 3-8.

Grimm's Fairy Tales is the definitive collection of fairy tales in the English language. This collection includes favorites like Rapunzel, The Frog Prince, The Twelve Dancing Princesses, Hansel and Gretel, and Rumplestiltzkin. Lesser known stories like The Golden Bird and The Goose-Girl are sure to delight and enchant children of all ages.

When Jacob and Wilhelm Grimm published their Children's and Household Tales in 1812, followed by a second volume in 1815, they had no idea that such stories as "Rapunzel," "Hansel and Gretel," and "Cinderella" would become the most celebrated in the world. Yet few people today are familiar with the majority of tales from the two early volumes, since in the next four decades the Grimms would publish six other editions, each extensively revised in content and style. For the very first time, The Original Folk and Fairy Tales of the Brothers Grimm makes available in English all 156 stories from the 1812 and 1815 editions. These narrative gems, newly translated and brought together in one beautiful book, are accompanied by sumptuous new illustrations from award-winning artist Andrea Dezsö. From "The Frog King" to "The Golden Key," wondrous worlds unfold--heroes and heroines are rewarded, weaker animals triumph over the strong, and simple bumpkins prove themselves not so simple after all. Esteemed fairy tale scholar Jack Zipes offers accessible translations that retain the spare description and engaging storytelling style of the originals. Indeed, this is what makes the tales from the 1812 and 1815 editions unique--they reflect diverse voices, rooted in oral traditions, that are absent from the Grimms' later, more embellished collections of tales. Zipes's introduction gives important historical context, and the book includes the Grimms' prefaces and notes. A delight to read, The Original Folk and Fairy Tales of the Brothers Grimm presents these peerless stories to a whole new generation of readers.

Original versions of "Cinderella," "Sleeping Beauty," "Little Red Riding Hood," and more. With 34 magnificent illustrations by Gustave Doré.

The next volume in the prize-winning and greatly acclaimed complete adaptations of Wilde's tales presents "The Devoted Friend" on what constitutes real friendship, and "The Nightingale and the Rose" a stirring story of sacrifice to love with a cruel twist. A signed and limited edition.

Now available in paperback, this book offers an innovative revaluation of Oscar Wilde's two collections of fairy tales, The Happy Prince and Other Tales (1888) and A House of Pomegranates (1891). Providing a comprehensive account of Wilde's familiarity with Irish folklore, this study challenges the prevailing consensus that the stories draw heavily on such material. By emphasizing Wilde's own stated views on the subject - and so contesting the assumption that he simply shared the well-documented interests of his parents, Sir William Wilde and Lady Jane Wilde ('Speranza') - the book relocates the stories within a variety of literary, cultural, and narrative traditions, both Irish and European. Acknowledging Wilde's often ambivalent and ambiguous statements about his Irish national identity, Oscar Wilde's Fairy Tales: Origins and Contexts offers a more nuanced understanding of the importance of Ireland to Wilde's art. The detailed readings of the fairy tales show that despite the stories' continuing appeal to children, Oscar Wilde intended his fairy tales for a predominantly adult audience. The book also demonstrates the ways in which, despite their eerie and disturbing content, these fairy tales reaffirmed conservative values. *** This superb analysis...presents a new and persuasive reading of Wilde's fairy tales...Highly recommended. -- Choice *** A neglected aspect of Wilde's oeuvre comes more clearly into focus in Anne Markey's useful study.... -- SEL Studies in English Literature 1500-1900, The Nineteenth Century [Subject: Literary Criticism, Irish Studies]

A true classic of Western literature, Stories and Talesby Hans Christian Andersen, arguably the most notable children's writer of all, has delighted young and old for generations. This unique collection was first translated for George Routledge over 130 years ago. Completely reset, but preserving the original, beautiful illustrations by A.W. Bayes, engraved by the masters of Victorian book illustration, the Brothers Dalziel, this marvellous book will be treasured by young and old alike.

"The well-known author retells 24 black American folk tales in sure storytelling voice: animal tales, supernatural tales, fanciful and cautionary tales, and slave tales of freedom. All are beautifully readable. With the added attraction of 40 wonderfully expressive paintings by the Dillons, this collection should be snapped up."--(starred) School Library Journal.  This book has been selected as a Common Core State Standards text Exemplar (Grade 6-8, Stories) in Appendix B.

This book makes a rare contribution towards the preservation and promotion of ukhaliro wa bene Malawi (Malawian culture) that is fast waning. This dilution of culture was put in motion by the British colonial masters and got exacerbated with the inception of democratic governance in 1994. There is need for concerted efforts amongst various practitioners and stakeholders, led by the government itself, if the situation is to be put under control. Otherwise, sooner or later, it will simply be remote history that long time ago, there was a unique culture in Malawi . The book is a collection of twenty short stories that generally promote such themes as nkharo yiwemi (good behaviour); uheni wa chigolo na sanje (the bad side of selfishness and jealousy); kulimbikira pa vinthu (hard working spirit); and uheni wa mitala (the folly of polygamy), among others. The strength of the book lies in the fact that there is room for the reader to draw their own lessons based on their understanding of a particular story, in addition to the lesson already highlighted there-in. The book is a must read for all, young and old, especially those interested in understanding the societal values, not only about Malawi, but of Africa as a whole."

Joha has Janus's double face: On the one hand, he is innocent and stupid; on the other, a trickster. He is a cheater and is cheated. He sets traps for others and falls into traps himself; he is simpleton and liar, victimizer and victim. But as a literary figure he never dies. The nearly 300 stories in this lovely volume are from Sephardic oral literature and ethnic culture. They were told to Matilda Koen-Sarano in their original language, Judeo-Spanish (Ladino), and documented over 21 years. From 17 countries, including the United States, they come together in this first-ever collection of Joha stories to appear in English. Known in some places as Ladino, Judeo-Spanish is a living remnant of the Spanish spoken by the Spanish Jews at the end of the 15th century. Matilda Koen-Sarano, born to a Sephardic family, has devoted her life to the conservation and revitalization of this language, culture, and heritage. Joha, according to Ladino tradition, is a popular folklore character, one who is conniving yet also beguiling. He plays many roles: He makes us laugh; liberates us from taboos; makes it possible to tell the whole, sometimes painful, truth in a humorous way; and helps us triumph over our enemies through laughter. These stories have entertained generations of Sephardic children and adults and will delight readers of any age.

Imagine yourself for a moment in Western Nigeria on a moonlit evening. The day's work has been done, and friends and neighbors have gathered. Suddenly one among the group turns to an older man sitting at the edge of the piazza. "Tell us a story," he begs. And he knows what he is asking. Many in the group can tell stories and very well indeed, for storytelling has been a tradition in Nigeria for hundreds of years. The old man rises and usually begins, "Far away and long ago in a small village…" Somewhat in each story there is likely to be a moral, a human truth that is taught through what happens in the story, for an important purpose of storytelling in Nigeria has always been to teach as well as to entertain. But you will find that the truths taught in these stories prevail not only in Nigeria but all over the world, truths that people must learn to live by, no matter what country they call home.Earlier versions of these eleven tales were told to Barbara K. Walker by Olawale Idewu, a Nigerian student in a midwestern American college who was lonesome for his homeland and its culture and who was willing to share some of the tales from that culture. Now, young Americans can enjoy a sampling of the tales still told on moonlit evenings in Nigeria.

The Sacred Door and Other Stories: Cameroon Folktales of the Beba offers readers a selection of folktales infused with riddles, proverbs, songs, myths, and legends, using various narrative techniques that capture the vibrancy of Beba oral traditions. Makuchi retells the stories that she heard at home when she was growing up in her native Cameroon. The collection of thirty-four folktales of the Beba showcases a wide variety of stories that capture the richness and complexities of an agrarian society's oral literature and traditions. Revenge, greed, and deception are among the themes that frame the story lines in both new and familiar ways. In the title story, a poor man finds himself elevated to king. The condition for his continued success is that he not open the sacred door. This tale of temptation, similar to the story of Pandora's box, concludes with the question, "What would you have done?" Makuchi relates the stories her mother told her so that readers can make connections between African and North American oral narrative traditions. These tales reinforce the commonalities of our human experiences without discounting our differences.

The Poetic Edda comprises a treasure trove of mythic and spiritual verse holding an important place in Nordic culture, literature, and heritage. Its tales of strife and death form a repository, in poetic form, of Norse mythology and heroic lore, embodying both the ethical views and the cultural life of the North during the late heathen and early Christian times. Collected by an unidentified Icelander, probably during the twelfth or thirteenth century, The Poetic Eddawas rediscovered in Iceland in the seventeenth century by Danish scholars. Even then its value as poetry, as a source of historical information, and as a collection of entertaining stories was recognized. This meticulous translation succeeds in reproducing the verse patterns, the rhythm, the mood, and the dignity of the original in a revision thatScandinavian Studies says "may well grace anyone's bookshelf."

In Myths, Legends, and Heroes, editor Daniel Anzelark has brought together scholars of Old Norse-Icelandic and Old English literature to explore the translation and transmission of Norse myth, the use of literature in society and authorial self-reflection, the place of myth in the expression of family relationships, and recurrent motifs in Northern literature. The essays in Myths, Legends, and Heroes include an examination of the theme of sibling rivalry, an analysis of Christ's unusual ride into hell as found in both Old Norse and Old English, a discussion of Beowulf's swimming prowess and an analysis of the poetry in Snorri Sturluson's Edda. A tribute to Durham University professor John McKinnell's distinguished contributions to the field, this volume offers new insights in light of linguistic and archaeological evidence and a broad range of study with regard to both chronology and methodology.

Working from the Poetic Edda, the Prose Edda, and Old Norse prose narratives and laws, Jenny Jochens argues for an underlying cultural continuum of a pagan pantheon and a set of heroic figures shared by the Germanic tribes in Europe, Britain, Scandinavia, and Iceland from A.D. 500 to 1500. Old Norse Images of Women explores the female half of this legacy, which involves images both divine and human. In a society marked by sharp gender divisions, women were frequently portrayed as one of four conventional types. The warrior woman was exemplified by the valkyrie, sheildmaiden, or maiden king. The wise woman was a prophetess or sorceress. The avenger is best seen in Gudrun, whose focus of revenge shifted from husband to brothers. Last, there were the whetters or inciters, who appear both in the Continental setting as Brynhildr and as ubiquitous figures in medieval Icelandic literature, ranging from Norwegian queens to humble milkmaids.

With authority and wit, Professor Page retells the Norse legends and shows how complex and sometimes contradictory their traditions are. Yet it is through these ancient myths that we know how the Norsemen visualized the creation of mankind and the final ending of the world.

A dramatic series that captures, culture by culture, the information that never makes it into the history books: strange stories, mystic rites, angry gods, vision quests.

The only English translation to include the complete work - a must-have for all students of early Norse literature. Over a period of twenty years, Snorri Sturluson, scholar, courtier and poet, compiled the prose EDDA as a textbook for young poets who wished to praise kings. His work surveys the content, style and metres of traditional Viking poetry and includes a poem of Snorri's own, praising the king of Norway. Ironically, Snorri was killed in his own cellar in 1241 on the instigation of the king of Norway as a result of political intrigue. The EDDA contains the most extensive account of Norse myths and legends that has survived from the Middle Ages. This is the only edition available with introduction, text summaries, indexes and chronology of early Icelandic literature.

The myths of the Norse god Thor were preserved in the Icelandic Eddas, set down in the early Middle Ages. The bane of giants and trolls, Thor was worshipped as the last line of defence against all that threatened early Nordic society. Thor's significance persisted long after the Christian conversion and, in the mid-eighteenth century, Thor resumed a symbolic prominence among northern countries. Admired and adopted in Scandinavia and Germany, he became central to the rhetoric of national romanticism and to more belligerent assertions of nationalism. Resurrected in the latter part of the twentieth century in Marvel Magazine, Thor was further transformed into an articulation both of an anxious male sexuality and of a parallel nervousness regarding American foreign policy. Martin Arnold explores the extraordinary regard in which Thor has been held since medieval times and considers why and how his myth has been adopted, adapted and transformed.