Who lived at the P.O. in China Grove, Mississippi? What does NASCAR stand for? Where is the Redneck Riviera? When is Martin Luther King Jr.'s birthday? What are Yellow Mama and Old Sparky? Entertaining, fun, and educational, this quiz book covers every aspect of southern culture from alligators to melungeons to zydeco. More than 800 questions--most drawn from the Encyclopedia of Southern Culture--cover literature, music, entertainment, history, politics, the law, sports and recreation, science, medicine, business, industry, and religion. Test your southern I.Q.! Take a copy to parties and on road trips. Use it to settle supper-table squabbles. It's a guaranteed good time. Published in collaboration with the Center for the Study of Southern Culture at the University of Mississippi Answers to questions: Sister, who tells her story in Eudora Welty's 'Why I Live at the P.O.' National Association for Stock Car Auto Racing, Inc. The Florida Panhandle January 15, 1929 Electric chairs in Alabama and Florida, respectively. Originally published in 1996. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
This volume of The New Encyclopedia of Southern Culture addresses the cultural, social, and intellectual terrain of myth, manners, and historical memory in the American South. Evaluating how a distinct southern identity has been created, recreated, and performed through memories that blur the line between fact and fiction, this volume paints a broad, multihued picture of the region seen through the lenses of belief and cultural practice.
Cobb, "surveys the remarkable story of southern identity and its persistence in the face of sweeping changes in the South's economy, society and political structure."--Jacket.
The front porch evokes cherished memories from across a lifetime for many southerners--recollections of childhood games, courtship, family visits, gossip with neighbors. In this book, Jocelyn Hazelwood Donlon offers an original appreciation of the significance of the porch to everyday life in the South. The porch, she reveals, is not a simple place after all, but a stage for many social dramas. She uses literature, folklore, oral histories, and photographs to show how southerners have used the porch to negotiate public and private boundaries--in ways so embedded in custom that they often go unrecognized. Her sources include writings by Dorothy Allison, William Faulkner, Ernest Gaines, Gloria Naylor, Zora Neale Hurston, and Lee Smith, as well as oral histories that provide varying racial, gender, class, and regional perspectives.
"As the first collection dedicated to the relationship between television and the U.S. South, Small-Screen Souths addresses the growing interest in how mass culture represents the region and influences popular perceptions of it. In sixteen essays divided into three thematic sections, scholars of southern culture analyze representations of the South in a variety of television shows spanning the history of the medium, from classic network programs such as The Andy Griffith Show and Designing Women to some of today's popular franchises like Duck Dynasty and The Walking Dead. The first section, 'Politics and Identity in the Televisual South, ' focuses on how television constructs understandings of race, gender, sexuality, and class, often adapting to changing configurations of community and identity. The next section, 'Caricatures, Commodities, and Catharsis in the Rural South, ' examines the tension between depictions of southern rural communities and assumptions about abject whiteness, particularly conceptions of poverty and profitized culture. The concluding section, '(Dis)Locating the South, ' considers the influence of postcolonialism, globalization, and cosmopolitanism in understanding television featuring the region. Throughout, the essays investigate the profuse, often contradictory ways that the U.S. South has been represented on television, seeking to expand and pluralize myopic perspectives of the region. By analyzing depictions of the South from the classical network era to the contemporary post-broadcast age, Small-Screen Souths offers a broad historical scope and a multiplicity of theoretical and interdisciplinary perspectives on what it means to see the South from the television screen."-- From publisher's description.
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